Assemblage No.01, 2021, 2026. Paper pulp and wire, 37 x 40 x 40 inches (94 x 102 x 102 cm)
Hookey, 2024. Ceramic, 20.5 x 17.5 x 16.5 inches (52 x 44 x 42 cm). Table for Two Icecream Cones, 2024. Ceramic, 21 x 21 x 18 inches (53 x 53 x 46 cm)
Wiggle-Under. Black-Dot BAAB-BAA, 2024. Paper pulp and wire, 40 x 40 x 40 inches (102 x 102 x 102 cm)
Somniloquy, 2024. Ceramic and wire, 28 x 11 x 7.5 inches (71 x 28 x 19 cm)
Reclining Column, 2024. Ceramic and wire, 16 x 21 x 10 inches (41 x 53 x 25 cm)
Telephone Game, 2024. Ceramic, 17.5 x 25 x 14 inches (44 x 64 x 36 cm)
Rustic, 2024. Paper pulp and wire, 74 x 70 x 70 in. ( 188 x 178 x 178 cm)
Large Peach, 2023. Recycled paper pulp and galvanized steel wire, 63 x 50 x 50 in. (160 x 127 x 127 cm)
Green Mobiles, 2025. Paper pulp and wire, 84 x 360 x 144 inches (213 x 914 x 366 cm) Installation view with 35 mobiles
Yuko Nishikawa: Wire Works, installation view, Curator's Cube, Tokyo, January 7-29, 2023
Yuko Nishikawa: Wire Works, installation view, Curator's Cube, Tokyo, January 7-29, 2023
Sporarium, installation view, Friends Artspace, Arlington, VA, March 26-May 27, 2022
Sporarium, installation view, Friends Artspace, Arlington, VA, March 26-May 27, 2022
Sporarium, installation view, Friends Artspace, Arlington, VA, March 26-May 27, 2022
My Worker Is Working from Home and She Is a Painter No. 64, 2020. Acrylic on cotton paper, 23 x 30 in. (58 x 76 cm)
Nap, installation view, Sculpture Space NYC, LIC, New York, June 14-July 27, 2019
Possibly Tools, installation view, in the artist's studio, Brooklyn, NY, May 15, 2018,
You See a Sheep in In Good Company: Material Culture, installation view, FM/S, Brooklyn, NY, September 7-October 7, 2018
Diatom, 2018. Ceramic, 10 x 10 x 10 inches (25 x 25 x 25 cm)
Time vessels, installation view, in the artist's studio, Brooklyn, NY, 2017